Expand your horizons


we're all on a journey. some are just at the beginning, some are more advanced. And If you came to this section, there's a good chance you're either curious or have a feeling there's still something to be learned. Good news. from all the experience and knowledge i acquired over the years, there's a lot I can share to speed up your learning curve.



From light, gear, business, production to post-production side with and without AI. This course includes all the things one needs to become the best version of himself.


philosophy


Working with the brands from Fortune 500 all around the world for over 20+ years confirmed to me that creativity and quality matter. At least to the clients I've worked with. Creativity pushes us in terms of visual difference and visual language and quality & striving for excellence keeps our society moving forward. Thus we should care about what we produce. In a world that's built on a visual content these many years, with being bombarded by more than 10.000 advertisement images a day, a good picture is something that stands out. Catches not only our eye, but our client's and their customer's as well. And in terms of commerce, that's what we're here for. To strive to deliver work that excites us and has the most impact for people around us. And our clients. Making their visual communication stand out and separate them from the rest.

aesthetics


For some of us this can be a headache sometimes. You produce what you enjoy and want to be known for. Have your own signature style & your aesthetics and clients pick you because of that style. But then you get working with an AD or PR agency and they need you to respect the brand’s DNA and bend your aesthetics more to their side. Sometimes it's delicate to find the right balance between these two, just as it is to find one between commerce and art. With art, it's usually our expression of what we want to say. But dealing with a commercial gig, it's not about our inner voice anymore. It's about creating a message for someone else. A commercial one, to be precise. And it's about finding the balance again. Between staying true to yourself while crafting a message for someone else, a corporation you might not be always in tune with.

longevity


Last but not least, it matters if you choose to do it quick or to do it right. If you want to produce something that is worth-while (for me there's nothing more rewarding than to see clients coming back to our work and re-use it again over time), I believe it matters that you do it right. I always like to spend some time with pre-production, do my research and let my client know, first that I care & I'm passionate about what I do, and second, that I'm more than capable of executing their wildest visions. Or my own for that matter. If you were a client, wouldn't you like to know you're dealing with someone who's professional, competent, passionte and cares about your goals as much as you do? For me it's both about creating an effortless experience for my client and producing something that is both worth wile and future-proof at the same time.

Take steps to where you want to go


equipment aside. is your passion really what needs to be molded into business and obligation or is it better to keep it as it is? what is it you want to achieve? What makes you tick?


Build Your Portfolio


As we're all in different stages of our lives and careers, it's what drives us and excites us that changes as well. Or at least most people from the business I talk to, including me, sometimes flirt with different genres. Sometimes to get a different perspective on what we do. Sometimes just to get excited for something new and get away from the routine. Sometimes just to try something else, dive into different industry, different mindset, different scenery, different reality. And however you're set up right now, one of the most important advice I can give you is to think about what you want to achieve and when moving forward, to have a portfolio with work you want to be hired for. People are both visual and quick to judge. And since they don't know you, they'll judge or hire you exclusively based on what they see from you. So you have a just a few moments to catch a person's attention with hope to inspire or attract them. Therefore shoot and build a body of work on what you want to get known or hired for, it's that easy. To begin with anyway.

Pursue What Matters


Life's too short to shoot things that don't move you in the direction you want to go. And take it from someone who's worked for more than 15 years+ with AD agencies and PR agencies on projects that gave him an experience and paid his bills and it was all fun and games. But if he's honest all it did was it wasted his time. Because he let it. If you're working with clients directly, you're working with the ones you usually want or enjoy. The ones your values sync up with. The ones which comms you want to advance. Which sometimes can happen with AD agencies as well. But as your relationship with an agency progresses, you're not responsible who you're working for anymore. That is if you want to maintain the relationship. Being a guy on agency side, you don't want to have a relationship where someone on the other end tells you "no" 60% of time, just because the firm has clients they don't resonate with. So learn from my mistakes, see what you want, pursue what matters and don't let yourself to be distracted or sucked into things you don't wanna do.

Take Time to Develop


When I started out I just wanted to shoot. I loved it. And it probably showed, as there were some big names from the industry approaching me. As I was eager to learn, I jumped on every opportunity I got without thinking twice. And it was great. It's just.. when you're starting out, you're usually just having fun and not thinking long-term, or being skilled where it comes to equipment, deadlines, post-production, maintaining business relationships, etc. You're probably rarely appreciative of the opportunities compared to if you're more advanced. There was this great advice I heard once "fail as much as you can as fast as you can". Ideally in the beginning. Because it's something you grow and learn from. And as much as I can tell you what experiences and fails I had along the way, sometimes it's just best to learn it yourself. So if you're only starting out, just take some time to breathe, experiment as much as you can, develop your voice, your aesthetics, your character and point of view. Think long and hard whether it needs to be commercial. And then go conquer the world.


COURSE TYPE


if you got this far, you'll be probably interested in thiS part.


TYPE OF COURSE

BASICS

The basics of photography from what you want to accomplish and what it takes to get there, to overall philosophy. A brief look into light, gear, post-production, tips on how to get & work with clients. A little bit of everything really - in a very light way so you would get an overall feeling what photography business is like and what are you getting yourself into. Depending on what you're missing.

Attendees: 1 maximum
Workshop time: 1-2 days
Price: Upon Request

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Frequently Asked Questions

What are the prices?

Each course is individual and pricing depends on number of factors. From number of attendees, to whether it's on-line or in person (therefore a type of travels). To where you aim and how deep you want to go, therefore the time we spend together.
I've been asked to do larger sessions on number of occasions, but I believe it should be more of a bespoke lecture, than just a general seminar. I always want my courses to be as tailor-made as possible, so you would get my full attention and always walk away with the most knowledge I can give you. So each course is as individual as it can be with different amount of time we spend together. Give me a shout about what you feel you're missing and we'll see where it leads us.

Do you also have video courses on-line?

Not really as I believe each course should be tailor-made to a specific person and his goals and needs.
Therefore I don't pre-record sessions (even though it would be financially a wise decision). In order to get the best experience, everything is live either in person or on-line (FaceTime, Teams, Skype, Zoom, Google Meet, Webex, whatever works the best).

Do you think photography business is still relevant with AI?

Hard to say really. As I’ve been exploring MidJourney, Recraft, Stable Diffusion and other AI generators for some time, it’s without a question it has a great impact on photography business already. For example product photography is completely changing, also stock photography is about to be become a bygone era. Both CGI and AI will, without a shadow of a doubt, change the business landscape as we know it.

As many people in the business fear this change or uncertainty though, it doesn’t have to be all bad. There’s a great potential to be realised in all of this. Cutting back on travelling, designing and building sets, waiting for the right light to come or weather, being dependent on other people or size of the production budget. None of this has to play a vital role anymore. Our eyes, aesthetics, imagination and skills to prompt the exact thing we want to have are gonna be our only limitations. We will be completely free to create literally anything we want in a matter of minutes. And if being able to create literally anything you want doesn't excite you, I don’t know what does. And for us, who love photography, we'll be out in the field doing what we love. Combining AI with actual photography. Or doing whatever what's excites you in particular.

And for those who fear what’s coming I have this to say: the change doesn't come over night, we will have time to adapt and as usual with any change coming, those of us who will adapt and embrace the change are gonna come out ahead. That and everything goes in circles. Same as fashion, music, any trends really. So when brands are gonna be questioned for authenthicity and people are fed up with AI stuff they know is fake, creativity and real photographs are gonna be popular again. Or not. Let's see. Either way, it's good to keep up.

Can we book you for a bigger seminar / can I attend one?

I like to design my courses around the people I tutor and their skillset. And as everyone is at a different stage of their career and has a different skillset, it would be always unfair to some. Therefore most of the courses I do is one-on-one. Occasionally for more, but never more than 8 people when it comes to more generic lessons (basics, pre-production, business session or post-production). For those I'm available. Drop me a line or give me a call and let's talk how can I help.

I need only specific things

Whatever you can pull out of a photography hat, that you feel you're missing, let me know and we'll tailor a session only to your needs and nothing more

How do I book a course?

There are several ways. You can shoot me up an e-mail either through the contact form here below or at martin@suvarina.com. Alternatively call me or DM me on Instagram @suvarinam. Whichever way you prefer

How far out do you book?

Currently I have no limit so if you want to book me a year from now, just shoot me an e-mail, DM me or give me a call. I'll put it in my calendar and we'll re-connect some time before the course.

How long have you been doing this?

I'm one of those fortunate people who love what they do when it comes to photography. So I've been in the business since 2004. Over those 20+ years I was fortunate enough to gain my experience with high net worth individuals and clients from Fortune 500 all around the world. And as I very much like my clients and we usually have long-term relationships, I would like to think that I occasionally do something right. Which I'm here to pass onto you. When it comes to mentoring, I've been coaching clients since around 2012, so 10+ years and counting.

Where are you based and do you travel?

I still enjoy travelling so I do that a lot. For the time being I'm based in Prague, the Czech Republic, which is a perfect place to fly from around Europe. I lived abroad for several years and travelling and exploring other parts of the world is something I really love and enjoy. So we're not limited geographically what so ever. I'll be happy to fly wherever you feel like meeting.
If you're located outside of Europe just hit me up for a quote.


Explore the depths.


If you feel like there's still something to learn, tell me what you're most passionate about at the moment. And let's push your career further together.

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Contact

e-mail: connect@suvarina.com